THE FAIRY TALES AND PORTALS. Sebastiana Randone
The
conception of my novel, The House, arrived
one day whilst reflecting on the magic portals in children’s fairytales; the looking glass, the wardrobe, trees,
rabbit holes etc.
I
ventured to consider these magical entrances as archetypal time travel entry
points, and as I was embarking on an adult fairy tale, the inclusion of these
interesting ‘escape routes’ enabled a fascinating journey of (self) discovery
for my main character.
Propelling
the narrative was that these gateways into parallel worlds would present
themselves as a timely escape from tribulation. By conveying her on a pathway
back to times that she, the idealist, had often fantasised about, set up a plot
that asked the question – was she so obsessed with the past, because there was
something in her that was seeking resolution from a former life?
Thematically,
this book is as much about ‘past-life’ entanglements, as it is about
discontentment with existing in a world that fails to meet ones expectations,
whether through love, aesthetics, spirituality etc. It is about escapism, a
comforting scheme that, since the beginning of the modern era and due largely to
the ingenuity and creativity of humankind, has been accessible to all through books
and art.
THE HOUSE – SEBASTIANA
RANDONE
The House is an adult fairy tale, time travel
romance mystery.
Clad only in a torn night dress, a woman finds
herself, late one afternoon, in an ancient forest. How she arrived there
remains a mystery, both to her and the reader. Finally a frightful looking
house arrives in view. Night is moving in and faced with the prospect of remaining
in a wood, where only wolves and predators revel, she reluctantly seeks refuge
in this unwelcoming house.
Once inside, and taken aback by a most unexpected
interior, she soon discovers a room where a magic portal laying in wait
transports her to a Georgian estate. A
baleful altercation with a beastly, drunkard Lord of the estate (archetype to
the evil wolf in traditional tales) sets the tone for this narrative. Unable to
find an escape route, she remains confined in this somber historical setting for
many months, interacting with a curiously dysfunctional household.
Finally she finds her way back to the enigmatic
house from which a journey to Regency London follows, where she meets with an
interesting cast of individuals. Although it soon emerges that there is a
relationship between the characters from both periods, the mystery surrounding
her presence continues to confound all.
One foggy eve, a down cast man arrives and is
introduced to the time traveller. When their eyes meet, an inexplicable sense
of familiarity is felt by both. Returning home after a large stretch in
Florence, the poet is instantly taken with this mysterious beauty, a meeting of
which promises restoration for the heart broken man. Frustratingly however, there
are obstacles hindering this unusual love match. Soon a past life connection emerges, and by
the last pages, many pieces of the puzzle form a startling picture. Upon the
final curtain, the biggest surprise of all is revealed. With a conclusion, that,
although bizarre is positive, like all good fairy tales.
Sebastiana Randone lives in Melbourne,
Australia, and is from a dance background.
From
an early age, Sebastiana developed a passion for reading, and from that moment
has never been without a book.
The
desire to write ‘one day’ had been pursuing for a long while. Finally that goal
was realised with the debut release of “The House”; an adult fairy tale set in
the Regency era.
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