Three Sisters
by Bryan Taylor
About The Author
Author Links
Website: http://www.threesistersnovel.com/ Blog: http://www.threesistersnovel.com/blog/ Facebook: https://www.facebook.com/BryanTaylorAuthorGoodreads: http://www.goodreads.com/book/show/18246773-the-three-sisters
Pinterest: http://www.pinterest.com/3sistersnovel/books/
About The Book
Genre: Humor, Satire
Publisher: Dragon Tree Books
Release Date: July 23, 2013
Buy: Amazon
Excerpts
The
college I was at had a small Newman Club for committed collegiate
Catholics, who still spent most of their youthful years behaving more
like St. Augustine than Cardinal Newman. Some of my friends and I set
up a Joyce Club as a refuge for lapsed Catholics, and during our
years there, we successfully filched several members of the Newman
Club and got them to join our own. Whenever this occurred, I could
share the great joy the father in the Bible must have experienced
when the Prodigal Son returned home, or the shepherd had found his
lost sheep. Working with this close-knit group of friends and
learning from each other made college worthwhile. Moreover, there
were hundreds of naïve young freshmen each year ripe for corrupting
whom I could gird up my loins for, exchange jelly for juice, and turn
them into cynics with amazing ease.
Academic
life also gave me the opportunity to express my artistic talents in
ways that impressed my coterie of college friends. When it snowed, a
not infrequent event in Chicago, we created chionic masterpieces that
lasted until the sun melted them away. Some were conventional, like
Marie Antoinette Gets the Guillotine, but when the college was too
cheap to build new sidewalks for its students we put together a
column of legless snowmen and snowwomen sitting on their carts and
pushing themselves along with paper signs on them saying, “Chicago’s
disabled demand new sidewalks!” Thus we married the avant-garde to
social activism.
We
would also create living art, recreating and transmogrifying great
works of the past. The one that got me and my fellow artists into
real trouble was when we recreated Da Vinci’s Last
Supper with me in
puris naturalibus as The Naked Maja
recumbent upon the table in front of Christ and his disciples. If the
college officials had complained about the anachronistic
juxtaposition of Da Vinci’s Cenacle and Goya’s Ode to Pubic Hair
as the Christ and his disciples argued over who was going to pay
thirty pieces of silver for me, I would have understood their
objections, but instead they complained about my full frontal nudity,
even though I was as faithful to Goya’s original as I could be.
Sure, Billy Sunday wouldn’t have liked it, but he had died decades
before. We referred to our masterpieces as Mama Art, the indirect
descendent of Dada Art.
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