I’ve always loved
adventure books - the first ones I can remember reading as a child were ‘The
Viking Adventure’ by Clyde Robert Bulla and ‘Gorilla adventure’ by Willard
Price and it was that ‘pull’ of being transported to other times and locations
that stayed with me.
In secondary school, I took Fredrick
Forsyth’s ‘The day of the jackal’ out from the school library only to have the
librarian, Brother O’Sullivan, stop and have me return it because of its ‘adult
content’. He recommended I read Alastair Maclean instead - I read all of his
ones available in the library. Then I took out ‘The day of the jackal’, I
didn’t quite understand the ‘adult content’ at the time but loved the idea of
the anonymous assassin.
The authors I still love to read are Martin Cruz Smith, Robert Harris, Ian
McEwan, James Clavell and Stephen King and I hope ‘GET LENIN’ is in that vein;
a page-turner, pot-boiler, the sort of book you see on a shelf in an airport
bookshop and buy while waiting for the boarding call.
The main
character, Eva Molenaar, started out in the very first drafts in a modern
setting as a young Editorial assistant for a London publisher. Taken into his
confidence, she uncovers material pointing to a sunken U-Boat off the Irish
coast with Lenin’s sarcophagus aboard and the publisher’s direct involvement
with it. I thought that time-wise it wouldn’t work as the publisher would
already be in his late 80’s and the plot would involve flashbacks all the
time. Then I looked at making her
British, but again felt it wouldn’t work & eventually settled on Polish and
moved her story into the 1930’s. She’s modelled loosely on Nancy Wake an
Australian spy who fought alongside the French Resistance and the 1940’s film
star Ava Gardner.
To a point, GET
LENIN is about manipulation of mass media to meet an agenda, which Nazi Germany
and Russia perfected in the 1930’s - and is as relevant today as nearly 80
years ago.
Spy master Henry
Chainbridge is condensed into all of the voices saying that Hitler and Stalin
cannot be trusted; he’s the lone voice of reason. He is cool and composed and
is based on a musician friend of mine (who has since sadly passed away) and
when writing and developing the character, I heard his voice first and built
the character from that point.
Chainbridge’s
associate, Peter De Witte is Dutch, handsome, urbane & blind. He’s a
character who overcomes his disability and is the creator of the Braille code
that Eva uses. As Eva’s lover, he sets up the emotional conflict later in the
book when Eva meets the German captain Klaus Brandt, a man she should not be
attracted to, but is.
After Get Lenin was released, I had the idea to create a sequel and
develop the relationships further and create another conspiracy and peril for
the characters to deal with. I wrote Zinnman and saw the potential for a series
spanning the conflict. I have a third novel due early 2014, titled ‘A finger of
night’ and at this moment the raw first draft of the fourth adventure, working
title ‘Hollow point’.
The
only decision now, is to either kill Eva off at the end of the war, or allow
her to continue her adventures into the early days of the Cold War.
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