EXCERPT
of DEATH of a SCULPTOR;
In
Hue, Shape and color © M.C.V. EGAN
Mary:
Wife No. 1
Thunder, lightning, and rain, that was what we had at
our wedding. However, on the day of his funeral, the Florida heat and humidity
made my face shiny with perspiration. My hair looked like a dark Brillo pad. My
children requested I attend the funeral of my first husband. Bruce Jones, the
world-renowned sculptor.
The parking lot was already packed with an
unexpected variety of cars. I then realized that it was not peak season. The
South Florida snowbirds are attached to their cars and they migrate with them
back and forth each year.
I noticed a police car and a uniformed man by the
entrance. Even for Bruce a bit much; however, since 9/11, security has been tight
everywhere.
The valet attendant opened my rental car door.
“Welcome ma’am. Your daughter is waiting for you.”
“Thank you. Please make sure you keep the car in the
shade. August Florida heat and sun are not my friends.” I pulled a five-dollar bill from my purse to
tip him, but he shook his head and mumbled, “No, thank you.” After all It was Palm Beach. I probably
should have pulled out a twenty.
I was surprised that the building looked like an
actual church, at least from the outside. The church had a long name. It was
Universal something or other; apparently, a place of worship with neither
affiliation nor strictures. Bruce’s life had, after all, been too outré to
pretend he followed any conventional religious norm.
“Thanks for coming, Mom.” Clair’s voice shouldn’t
have surprised me, but I stood still, focused on carefully dabbing my shiny
nose. I clicked the compact shut, smiled, and answered, “Anything for you and
Aaron, sweetheart.” She nodded as she guided me where to sit. It was toward the
back of the church—the ex-wives’ pew.
“Please Mom, don’t look at me that way. This funeral
is a time for forgiveness and closure.”
Clair always found a way to get me to do whatever
she wanted. The last thing I wanted was to be in the company of the women
sitting there. I touched my frizzy hair, regretting my rejection of the keratin
treatment.
Wife number two, Leslie, was the first to say hello.
“Mary, you look lovely. It’s been years.”
“It has, thankfully,” I replied. The other two
simply nodded, and I nodded back. Leslie, the one Bruce left me for, handed me
a packet of tissues and winked. Forcing a smile, I took them. The idea that she
assumed I planned to cry had not crossed my mind. I pulled the compact out of
my purse again to check my makeup; it looked fine. Through the mirror I saw the
reflection of the fifth and last Mrs. Bruce Jones, the widow. She was standing
waiting for the ushers. I shook my head in disbelief. There next to Brooke was
the coffin. The ushers waited with the coffin for the minister’s signal. It had
images of Bruce’s artwork. Digital photography makes it possible to decorate
anything in living color. Some of the images were blocked from my view by the
ushers, but not mine. There I was paraded as a nude sketch. Each one of Bruce’s
loves had a color and mine was pink. It was kitsch…even worse, it was downright
tasteless.
Bruce had a type. We all had brown hair and pretty
faces with full lips and straight noses. The eye color varied as did our size
and build. His type was limited to our physiognomy. I clicked the compact shut, and the other
ex-wives faced me, startled by the sound. I shrugged with a coy apologetic
smile. Look at the five of us; he had a type.
Bruce’s love also had a shelf life. He took the
seven-year-itch need to scratch very literally. Some marriages were shorter
because sometimes the divorces got complicated and his new loves always
overlapped with the old. Public or private, his relationships always lasted
seven years.
I was nineteen when I first walked into his
classroom. He was tall and muscular. I felt a tingle at the base of my neck
when I saw his back, as if somehow I already knew. When he turned to face me, I
was gone and completely in love. I fell in love with Bruce and the sculpture
next to him all at once. I soon learned
he made love in a way no other man did (not that I was very experienced
then),Bruce traced every inch of my body with every part of his. At twenty-four,
he already made a good living from his sculptures, but teaching remained his
passion. As he grew older and wealthier, he taught short workshops in different
parts of the world. His last one had been just a few months before his untimely
death. He was after all, only sixty-two.
It was clear by the careful shape of his sculptures
that he knew the shape of my legs, ankles, feet, and every other part of my
body. His sculpture venues varied; his talent knew no boundaries. Bruce loved
and sculpted as instinctively as the rest of us breathe. Whoever inherited the
rights to his art would be wise to market his sketches as limited edition
lithographs. Bruce liked to keep those private, but he always added color to
the sketches in a way that made them works of art unto themselves. Bruce was as
gifted with hue and color as he was with shapes. Those were the sketches that
someone had the poor taste to use for the coffin. As the ushers moved around, I
heard the reactions of the other ex-wives, a blend of gasps and giggles. We
recognized all the shapes and colors.
Focused on raising our children, I had not noticed
when the sculptures started to change. That was when Leslie entered the
picture. Bruce may not have planned to divorce me, or at least for years I
tried to believe that, but then Leslie got pregnant.
Our marriage, his first as well, was the longest
marriage: it lasted ten years. Three of those, Bruce had spent loving Leslie,
but playing house with me. His marriage to Leslie was far shorter. I could tell
by the sculptures he had loved her for seven years. We all met him through his
art in one way or another. Wife number three, Petra, worked in an art gallery.
Although not an artist she was very involved with his work. I derived great
pleasure from the public scandal when he hurt Leslie that way, leaving her for
a mere merchant. By then Bruce had a name, an art, and a face that was
recognized everywhere. Leslie had ended my marriage, so curiosity as to who had
ended hers interrupted my life for a time. Hers was the only one of Bruce’s
love stories I followed carefully, aside from my own.
Aside from relishing in Leslie’s pain, his personal
life did not pique my interest. I knew my children were always respected and
old enough to voice concern if anyone mistreated them. I could not remember if it was the third or
fourth wife who was the only one of us who did not have children with Bruce.
Chopin’s somber Marche Funèbre snapped me back to
the moment. The elaborate coffin encasing Bruce’s body had been placed on a
movable catafalque. The catafalque with squeaky wheels carried Bruce’s body in
a guided procession down the aisle. He was always a large man and had managed
to become larger as he aged. His appetite for food and drink superseded all his
other appetites.
Leslie whispered in my ear, “She doesn’t look sad.”
Glancing over at the person in question, I nodded in
agreement. The widow could not be described as grieving. Grief is, of course,
different in all of us. The body language of grief, though, is universal: the
defeated, slumped shoulders, head bowed, tears flowing. Leslie was right. The
widow was crying, but they almost looked like tears of relief.
A montage of Bruce’s works on a screen at the side
of the altar shaped in a semicircle created the focal point. The aisle inclined
and my pew toward the back provided a good vantage point. The incline was
slight but pronounced enough to give those of us in the back a full view. The
ushers seemed to be holding back the coffin so it would not speed down the
aisle. The wheels continued to squeak. Bruce would have hated this. The
minister or priestess─I am not sure what title this universal church gave
her─had a very unpleasant voice and thus was difficult to listen to. No
voice, even a pleasant one, could compete with Bruce’s art. For all the rotten
things I would be happy to tell you about Bruce Jones, his art was not something
anyone could criticize. Even the most prestigious critics raved about his
talent and his work.
The slides were in chronological order. The memory
and pain from the sting of betrayal flooded me as it had twenty-eight years
earlier. I could see Leslie through the corner of my eye and the blush that
betrayed her shame.
As wife number two, she had been party to betrayal
because she too had been betrayed. I know Leslie grew to love my children very
much. I guess she saw me as an extension of that love in some ways. I felt
terrible. I had been so curt.
My hand reached to her shoulder in a gesture of
solidarity and forgiveness when the images on the screen segued to show the
shape of ex-wife number three. My heart ached for Leslie because we had similar
builds, and many would not have been able to distinguish when Bruce
transitioned from sculpting my body to sculpting hers.
Ex-wife number three, Petra─a very tall woman with
long slender limbs─had a body that blatantly displayed the transition from
Leslie to her replacement. The unquestionable change in shape left no doubt
Bruce’s affections had shifted again.
Leslie, pregnant with her second child at the time, lost the baby to
grief, a loss I also knew well.
At that point, I did need the tissues Leslie had given
me, but I was shedding tears for her, not for Bruce. I miscarried a child with
my second husband. I understood her pain and sense of loss. Mine, too, was the
last child, the child I never had.
Bruce never sculpted pregnant women. Consequently,
wife number three, the one who had never been pregnant had seven years that
boasted more sculptures than the rest of us. At the seven-year mark, Bruce
transitioned into a new love story, a new model. Petra’s telltale sobs showed her
grasp of Bruce’s tell. After all, loving Bruce was a gamble. The change of
model in the sculpture showed his change of heart. Petra was from a foreign
country; I never paid much attention where. My kids interacted with her, and
she welcomed them with kindness. In tandem, Leslie and I passed her the
tissues.
Petra took both tissues we offered and her lips
moved in a quiet whisper; the words were obviously meant for Leslie, though I
could discern they were, “I am sorry.”
My daughter, Clair, had always lived up to the dual
meanings of her name: clear and famous. Clair could see things with great
clarity, and she could convey them as such. I could only assume that she knew
the ex-wives belonged together, ‘for closure and forgiveness’ as she had said.
Clair’s modeling career had started in her teens at
her insistence; she was not pushed nor did anyone suggest she should model. She
knew she was very attractive, and she knew she could convey her beauty and
charm to an audience, a photographer, a camera.
Her modeling spun into acting. She was as natural on
a screen as on a stage. It came to her with ease, though she was happy to take
classes and learn. My Aaron is also successful, but he is a behind-the-scenes
sort of person. I took great pride in knowing that I had always been a good
mother. I had known how to allow my children to forge their own paths.
Not everything in my life succeeded, but I was a
success at being a mother. I recognized Bruce’s love shelf life because I had
one of my own, with a trail of the remains of ended marriages or relationships.
Mine perhaps more impressive than Bruce’s.
I guess Bruce might have been the love of my life.
But now in my mid-fifties, I questioned whether a spouse or companion had any
viable use? I loved art, my passion, and
although my work is not as popular or renowned as Bruce’s, I have achieved a
certain level of success.
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